| Magnificent
      gilt-bronze mounted mahogany organ and dulcimer musical longcase clock
      from the workshops of Kinzing and Roentgen, signed Achenbach
      & Schmidt, Neuwied, Germany circa 1785  The famous
      German families of Roentgen and Kinzing
      collaborated on the manufacture of a number of superb quality clocks from
      1765; amongst these clocks was a small number of rare complicated musical
      longcase clocks; the present lot made by the sons-in-law of Johann Kinzing
      is a fine example which has survived in good condition.
 A
      similar clock, but lacking the musical mechanism, was offered Christie's
      New York 2nd November 2000 lot 202.  
   Description:12¾-inch dished enamel dial signed Achenbach
      & Schmidt A Neuwied with well pierced and engraved gilt
      hands, concentric
  calendar and centre seconds, playful putti spandrels,
      strike and music control levers at III, VI and IX, the arch with a
      painted and silvered moon disc below a tune selection arc engraved Andante,
      Menuet, Polonoise and Allegro,
      the substantial three train weight driven bell striking and trip repeating
      movement playing the selected melody by means of a pinned brass cylinder (28
      cm long, 14.5 cm diameter) controlling a wood pipe organ, with top
      mounted bellows and a replaced dulcimer with twenty-five hammers,
      the music train with large side-mounted fly: The
      Neo Classical case with urn finial
      above an oval stepped cresting and further urn finials, the hood door
      applied with gilt-brass fluted panels in the upper corners and further
      gilt mounts, flanked by brass mounted pilasters,the trunk with fluted
      gilt-brass frieze around the top and centered with miniature portrait
      roundels on the sides and, at the front, with a ribbon-tied floral roundel,
      the panelled trunk with turned paterae in the corners and flanked by brass
      quadrant pilasters, similarly decorated plinth, each side with two doors
      fitted with fabric panels.  
   Measurements:296cm 9ft 8½in. high overall.
  
   Origin
  This clock comes from the Schaezlerpalais
      in Augsburg situated on the principal street Maximilianstrasse. The
      building was owned by the banker Benedikt Adam
      Liebert von Liebenhofern (1730-1810) who had the Palais
      completely remodelled in 1765 by the Munich court architect Karl Albert
      von Lespilliez. The finest artists and craftsmen were employed to carry
      out the interior decorations. The painting was undertaken by Gregorio
      Guglielmi who had been employed to do similar work at Schloss Schönbrunn.
      The result was that the Palais became the grandest residence in Augsburg.
      The house was inherited by Johann Lorenz Schaezler (1762-1826) the first
      Baron Schaezler and son-in-law of Liebert. The Palais continued in the
      same family until 1958 when it was given to the town of Augsburg by
      Dr.Jur.Wolfgang Freiherr von Schaezler in memory of his sons who died in
      1940 and 1943. The
      family tradition is that the clock was bought by Liebert as a wedding gift
      on the occasion of his daughter's marriage to Johann Schaezler in 1785. A
      similar clock had been delivered to Empress Catherine the Great of Russia
      in 1784.  
 
 firm
      of Roentgen The
      famous cabinet making firm of Roentgen
       was founded by Abraham
      in 1742 who moved the business to Neuwied in 1753. The ownership of the
      business was transferred to
      Abraham's son David (1743-1807) in
      1772 from which time it flourished. David Roentgen became the most
      successful and innovative Continental cabinet maker in the second half of
      the 18th century. He undertook a number of Royal commissions and in France
      was Ebéniste-mécanicien du Roi et de la
      Reine.  
 
  clockmaking
      family of Kinzing (and Achenbach / Schmidt / Weyl)
 The
      clockmaking family of Kinzing was
      founded by Johann (1681-1769) who had
      three sons and two daughters. The most famous of the sons was Christian
      (1707-1804) who worked closely with David Roentgen to produce some
      wonderful clocks. The daughters married two clockmakers Herman
      Achenbach (baptised 1730, died 1792) and Johann
      Schmidt (1734-1795): Achenbach
      worked with his brother-in-law Christian Kinzing from 1753 and eventually
      set up another branch of the Kinzing workshop with Johann Schmidt in 1777
      working in the Kinzing tradition and using Roentgen cases. Achenbach died
      in 1792 and this workshop was closed although two grand-sons of Christian
      Kinzing, Carl (1781-1840) and Christian (1778-1861) continued as
      clockmakers working to the same high standards until 1838 when the Kinzing
      workshop finally closed. Although
      Peter Kinzing (1709-1743) was an organ
      maker he was dead by the time this clock was made and it is likely that
      the musical mechanism was made by the Weyl
      brothers, Johann Christian
      (1758-1827) and Johann Wilhelm
      (1768-1813), who collaborated with the Kinzing family in the making of
      musical mechanisms. They founded the organ factory `Gebrüder
      Weyl' at Neuwied in 1807.  
 
 Source 
      Sotheby's 
      Auction, London, OlympiaImportant Clocks, Watches and Mechanical Music [W03825]
 Thursday, 19 Jun 03
 Lot
        45  
 
 Museale
      Bodenstanduhr mit Flötenwerk David
      Roentgen & Gebrüder Kinzing    Neuwied, um 1785
 
        
          Gehäuse
          aus feinstem Mahagoniholz, feuervergoldete feinste Bronzeapplikationen (Gürtler Hermann, Vergolder Wollschlager).
          Uhrwerk
          von Hermann Achenbach und Johann Schmidt in Neuwied; Stundenschlag
          Anzeige
          von Minute, Stunde, Sekunde, Datumsanzeige, Angabe der Mondphasen
          Flötenwerk
          mit 4 Melodien (Andante / Menuett / Polonaise / Allegro) von J. Weyl,
          spielfähig,
          Zymbalrahmen
          und Bespannung ergänzt, ursprüngliche Mechanik vollständig
          erhalten,
          Gangdauer;
          10 Tage Größe: 295 cm 
 David
      Roentgen war der berühmteste Kunst- und Kabinetttischler
      des 18.  Jahrhunderts. Die engen Verbindungen zu
      den bedeutendsten Herrscherhöfen, brachten zahlreiche Ehrentitel und
      Niederlassungen in anderen Städten. Selten produzierte er auch Uhren in
      seiner Werkstätte, die er ausschließlich in Zusammenarbeit mit den Gebrüdern
      Kinzing fertigte, deren Uhren und Instrumentenmacher- Werkstatt von
      Christian dem I gegründet wurde und die mit den Roentgens etwa ob 1765
      kooperierten. Dazu gehörte auch die Werkstatt seines Schwagers und
      Hausmiterben Hermann Achenboch und
      seines Schwagers Johannes Schmidt.
      Immer wenn diese Uhrenmöbelmanufaktur für Prinzen und gekrönte Häupter
      ihre Werke lieferten waren es prächtige Gemeinschoftsleistungen. Besonders
      Katharina 11 war von den Kunstobjekten öußerst angetan.  
 Äußerst
      selten sind Uhren mit Orgelwerken gefertigt von Christian und Johann
      Wilhelm Weyl. Beide waren langjährige Mitarbeiter der Roentgen-Kinzing
      Werkstätte. 1807/1808 gründeten sie in Neuwied die Orgelfabrik „Gebrüder
      Weil", die von ihren Nochfahren bis zum Jahre 1888 weitergeführt
      wurde. Diese
      Uhr war schon zu ihrer Entstehungszeit besonders selten und ein kostbares
      Kunstwerk. Sie war für ihre komplizierte Mechanik und die perfekte Ausführung
      berühmt. Es ist einer der Höhepunkte
      im Leben eines Sammlers, solch ein Objekt nicht nur im Museum, sondern am
      freien Markt zu finden. Unter anderem befindet sich eine Standuhr von Roentgen
      im Metropoliton-Museum in New York. Quelle:
      Katalog zur Verkaufsausstellung
      "Tempora Antiqua", D & S, Wien  
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